PG Tips: At Home with Monkey and Emily Atack — He’s Back, and This Time It’s Business Critical

Jason Papp
Founder & Editor-in-chief
May 8, 2025



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Monkey is back — semi-retired, settled down, and drinking tea on the sofa. But behind the mock reality TV setup lies a very real story: PG Tips is fighting to remain part of Britain’s daily brew. Beneath the soft humour of PG Tips’ new campaign lies something far more serious: a high-stakes brand reset.

The £8 million relaunch, created by New Commercial Arts and starring Emily Atack as Monkey’s sitcom-style spouse, arrives not as a nostalgic detour—but as a commercial course correction. Following the failure of 2024’s ‘Rock Solid’ campaign and a 37.8% volume drop, PG Tips is doing more than storytelling. It’s damage control.

A Response to Decline, Not a Creative Luxury

Despite previous investment, new packaging, and a quick-brewing teabag innovation, PG Tips lost £15.1m in value in 2024, according to The Grocer. Sales fell to £76.8m, and the brand dropped to the UK’s fourth-largest tea label—trailing far behind market leader Yorkshire Tea at £192.6m.

In that context, the new Monkey campaign isn’t fluff. It’s strategic. And emotional. According to CMO Eleanor Barker, the brand is now "pivoting away from a Gen Z-first focus" toward a campaign with mass appeal, recognising that its core buyers are older, loyal, and more motivated by feeling than functionality.

“We tried to run before we could walk,” Barker told The Grocer. “Right now, what we really need is a mass-market, optimistic campaign that’s going to get the whole nation back in love with tea.”

Brand IP as Emotional Infrastructure

This is where Monkey shines—not just as a mascot, but as a memory. First launched alongside Johnny Vegas in 2007, Monkey is one of PG Tips’ "most distinctive brand assets" and remains tied to the feel-good equity the brand was built on. His return, says Barker, brings back consistency in tone and purpose.

Before becoming synonymous with PG Tips, the character appeared with Vegas in other creative projects—prompting a tussle between agency Mother and the brand over who owned the rights. The result? A period of legal and licensing limbo that saw Monkey quietly vanish from our screens.

PG Tips no longer leads the market—Yorkshire Tea has overtaken it in key metrics like quality and value perceptions. PG Tips is now the fourth-largest tea brand in the UK by value.

Monkey-emily-atack-pose-in-kitchen-for-225-advertising

The creative itself—staged as a mock reality show called At Home with Monkey—parodies pop culture formats like Vogue’s My Life in Looks and the Beckham Netflix doc. Directed by Si & Ad and supported by The Romans on social and PR, the campaign spans TV, YouTube, OOH, and limited-edition in-store activations. But more importantly, it’s not trying to be trendy. It’s trying to be loved.

Not Just a Brand Campaign — A Full Rebuild

Underneath the marketing is a deeper operational rethink. Barker revealed that previous SKU cuts were too aggressive, prompting a rebuild of PG Tips’ presence in the mults. "We cut too deep, so we’re bringing back the packs that UK consumers really love," she said. Distribution levels are now back to where they were in September 2023.

Add to that a £40m investment in the Manchester factory, and it’s clear the Monkey relaunch is the visible tip of a much larger effort: restoring PG Tips as a cultural staple and a functioning business.

"We’re turning a supertanker, and this will take time,” Barker said. “But we believe we’ve set the business up for long-term success.”

The Verdict

The creative world might see this as a charming return of a beloved mascot. But to PG Tips, Monkey isn’t just brand storytelling—he’s brand repair. Character-led. Emotionally loaded. Business critical. Monkey is back.

Credits

PG Tips

Elle Barker – CMO, UK & Ireland

Heidi Williams – Head of Communications & Partnerships

Nathan Higgins – Social, Influencer & PR Manager

Kirsten Battle – Assistant Brand Manager


New Commercial Arts

Hannah White - CEO

Dan Seager & Steve Hall - ECDs

Alicia Job and Jess Pacey - Creatives

Matt Walters – CSO

Georgia Dickinson – Head of Production

Russell Taylor – Senior Producer

Miriam Goode – Business Director

Gaëlle Rolland – Account Manager

Olivia Rose – Account Director

Tom Lockwood – Creative Content Lead

Film Production


Production Company: Academy Films

‍Director: Si & Ad

Producer: Tom Cartwright

DOP: Alex Barber

Puppeteers: Nigel Plaskitt, Susan Beatie, Paul Jomain

Edit: Adam Spivey @ Assembly Rooms

Edit Producer: Phoebe Armstrong-Beaver

Postproduction: Selected Works

VFX: Jonathan Westley (Wes)

Postproduction Producer: Noa Vuagniaux

Audio: Jake Ashwell @ 750 MPH

Audio Producer: Aishah Amodu

Music: Audio Network


The Romans

‍Tom Phillips – PR Account Manager

Holly Dunnett – Senior PR & Communications Consultant

Sophie Baker - Director

Niall Massingham – Digital Account Manager

Sam Morgan-Smith – Head of Social

David Levesley – Social Editor & Copywriter

Scarlet Pughe – Creative

PHD

Andrew Chandler – Media Director

James Walton – Senior Planning Director

Rachel Sharrow – Planning Associate Director

Megan Conneely – Strategy Director

Jason Papp
Founder & Editor-in-chief